Menu

Skip to content
Lap Steelin'

Lap Steelin'

Mike Neer's repository of steel guitar geekery

Links

  • Clinesmith Instruments
  • Deluxe 34 Stands by Mark Roeder
  • Jim Burden Bullet Bars
  • Steel Guitar Forum
  • steelinstruction.com – Mike Neer's books and lessons
  • V-Muse Lap Steel Guitars

Archive

  • December 2022
  • September 2022
  • May 2020
  • March 2020
  • February 2020
  • November 2019
  • April 2019
  • March 2019
  • January 2019
  • October 2018
  • April 2018
  • March 2018
  • October 2017
  • July 2017
  • April 2016
  • November 2015
  • August 2014
  • July 2014
  • May 2014
  • January 2014
  • January 2012
  • October 2011
  • September 2011
  • August 2011
  • July 2011
  • January 2011
  • September 2010

Shaping Fingerpicks to Suit Your Playing Style

Posted on August 4, 2014 by Mike Neer

It is often a topic of conversation among newer players of the difficulties in getting used to wearing fingerpicks. For some players, it is nearly impossible to get comfortable with these new appendages. For me, it was a little different.

When I started becoming serious about playing, I was playing a National tricone. It was a matter of necessity for me to use picks, and because I was playing in an acoustic group with the instruments mic’d, I preferred a stiffer pick (.025 mm). When I switched over to playing electric steel, I no longer felt comfortable with that heavy gauge pick, and experimented with the lighter .013, .015 and .018 gauges. The .013 appealed to me, so I shaped the picks to follow the natural shape of my finger tips. This resulted in some very nice tone–very rich. The problem, I discovered much later, was that in order for me to pick the strings, I needed to get my fingers down deeper to the strings. This hindered my ability to play fast, clean lines, and my fingers would mistakenly hit the wrong strings often. I couldn’t live with this, because regardless of how hard I worked at it, I couldn’t overcome the sloppiness.

Recently, in continuing my lifelong quest of improving my picking hand, I have discovered some things that have proven significant towards this end. I have begun using slightly heavier picks (.018) and I have shaped them so that they extend approximately 1/4″ from the tips of my fingers, and this extension is decidedly straighter than the previous “curled with the finger” shape.

What this has allowed me to do is to execute rolls and other intricate picking patterns with greater ease, and to allow me to use a technique of locking my hands in a way that everything above the metacarpal bones is firmly locked in place, allowing greater control of the fingers. This is something that I have experimented with and concluded that it really does work.

There is no one way to wear picks, but it is advisable to always consider where you are in your playing path and how simple changes in things like picks can have a significant impact on your playing and sound. I will admit, I thought my tone suffered a bit when I made the change, but I have learned to compensate by using thicker gauge picks and by picking with a little more velocity.

There are some things about playing steel guitar that, unless you have the privilege of being near seasoned players and getting their insights, you are on your own to discover. For me, it always seemed as if achieving great right hand technique was an uphill battle. The inconsistency is frustrating and, while continual practice will yield positive results, I always seemed to hit a wall. In trying to create longer lines, I realized that I would need to refine my technique and, surprisingly, one of the greatest sources for inspiration appeared in a piano book. I will make no bones about saying that I think of my steel as a “lap piano” at times–this term is attributed to George Van Eps–and I want my passages to have the same clarity, lightness and dexterity as a pianist. George Kochevitsky’s book, The Art of Piano Playing, just really opened my mind to taking control of the situation. As he illustrates, for a century or more after the arrival of the piano forte, players still did not have the technique necessary to get the most from it–they were still relying on the finger technique from the days of harpsichord.

I have to say, I do enjoy playing without picks, but I can’t execute much of what I play without them. I will also add that I have ordered a set of Alaska Piks and I’m looking forward to giving those a try. Will report back on that….

Posted in Fresh baked thoughts | Tagged fingerpicks | 4 Comments

4 thoughts on “<span>Shaping Fingerpicks to Suit Your Playing Style</span>”

  1. Wayne Dwyer

    5/5/21
    3:51 am
    May 5, 2021
    3:51 am

    Reply

    Wayne Dwyer says:

    I am a complete newbie to this.
    I play guitar only.
    I bought a lapsteel on a whim because I enjoy the sound that can be achieved by skilled players.
    A friend showed me a clip of Larkin Poe and that is what I want to add to my skillset.
    Yes the biggest obstacle has been using finger picks. I am beginning to get the hang of them and the ability is getting better day by day. Moreso after reading your article.
    I am so pleased to have found this page, thank you for the guidance, it has helped me a lot.

  2. Mark Roeder

    10/24/17
    3:48 pm
    October 24, 2017
    3:48 pm

    Reply

    Mark Roeder says:

    It helped me when I really looked at how the picks were connecting with the string, so I adjusted them to make a clean perpendicular strike.

  3. hank ruf

    4/4/17
    11:14 pm
    April 4, 2017
    11:14 pm

    Reply

    hank ruf says:

    Great Post…

  4. Maurice CARROLl

    10/9/14
    2:32 pm
    October 9, 2014
    2:32 pm

    Reply

    Maurice CARROLl says:

    Mr Neer,
    I have hit more than a brickwall trying to use pics. I have tried Alaska Piks as a last resort, but just couldn’t get on with them. All my brass, stailess steel picks are bent as I was instructed to do, but man do I struggle. I noticed today that the late Dickey Overbry had his picks almost straight and in doing so during playing he kept his hand high and away from the strings. I’m so desperate that I’m going to try it…but because I feel so useless with picks i might even end up with false nails and hope it’s an improvement.
    Maybe a photo or two might help us less able pickers to see just how to have sorted your picks out.

    Maurice CARROLL aka WineRider in France

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Time limit is exhausted. Please reload the CAPTCHA.

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent posts

  • Building arrangements for steel guitar, pt. 1 December 16, 2022
  • Slanting the scale (playing triads of the scale using slants) September 16, 2022
  • Bud’s Bounce May 15, 2020
  • Announcement re SteelInstruction.com May 12, 2020
  • Bix Beiderbecke’s “In A Mist” duet for steel guitar March 26, 2020
  • Interview with Mike Neer by Andy Volk February 21, 2020
  • Mike Neer live webinar 12/7 “Triadic Mechanics” November 20, 2019
  • Comping chords with C13 tuning (Jules Ah See tuning) – Rhythm Changes April 13, 2019
  • Joe Pass Modern Blues #1 March 30, 2019
  • Billie’s Bounce by Charlie Parker January 29, 2019
  • Playing complex (jazzy) lines on lap steel and how to approach them January 21, 2019
  • Building chops–right (picking) hand rhythm October 27, 2018

Tags

"Lee Jeffriess" "Big Sandy" "Joaquin Murphey" "Noel Boggs" Spade Cooley" Rockabilly "Western Swing" bigsby bud isaacs c6 tuning C6/A7 c6/a7 tuning c13 tuning Curly Chalker david lindley dick mcintire don rooke emmons frankie kay harmony hawaiian steel hazmat modine helmet henry bogdan jazz jeremy wakefield jerry byrd jimmy day joaquin murphey joel paterson ken champion lap steel lap steel guitar lee jeffriess lucky stars mike neer moonlighters music theory ry cooder skip simmons slants sol hoopii speedy west spongebob steel guitar the henrys thelonious monk vance terry wayne hancock western swing wright custom
Proudly powered by WordPress
Theme: Flint by Star Verte LLC